变态放荡女纯肉辣文

　(🌦)　沈谦却摆了摆手，让人都退下，自己去门口关了门。

　　这个时候的巴豆外面的房壳还是青色的，取(🌡)用的是里面生长的子。

　　“回家又要晚了。”

这本书后劲太大了，合上书好几天，伊(😛)斯特拉凡的身影还在我眼前晃悠。

　　【林宏：你想要什么(🚈)？】

　　找上门来的这九(🎦)十万秦以川认识(👯)，姓王，原来是跑海船的，攒了点钱之(🏁)后回家做水产生意。

So in other words, a story is a choice, a choice of a particular moment in life when "something happens within it that changes the character forever. So we tell a certain story, starting at one time and ending at another, in order to frame that moment of change". But we probably shouldn't take the word "change" to literally. In In The Cart, there hasn't been much of a change per se, but it provides profound reasons for why "this is the day on which it appeared that things might have changed forever, but then they didn’t, because they never could have, of course".

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