江瑶镜忽地想到了曾经的,还(🏂)没认识他之前,关于秦王的传言。
The this chapter, Saunders discusses the "non-storyness" of a story. He asks us to pay attention to the moment when it's not a story yet and when it becomes a story. "A short story is not just a series of events, one following after another. It’s not a lively narrative that briskly continues for a number of pages, then stops. It’s a narrative that compels us to finish reading it, yes, but that, in the midst of itself, somehow rises or expands and becomes…enough."
毕(🕗)竟,谁会觉得一个恋爱脑的生(👛)活作风有问题呢?
先前差点被车撞,我都忍住了。
“知道了。这地方,我们怎么出去?”殷红(⛴)羽说道。
何云龙接过她手上的名单皱眉,“嗯?这次主演花(🚾)木兰不是咱们团的?这个桑苗是什么人啊?”
说回《波兰人》,看书之前我以为是个爱情故事,而我不喜欢看男女间的爱情故事,就跟导读里提到“男人与女人越(🧜)是饱受折磨,他们在想象中虚构的爱情就越是波澜壮阔,越是感人至深。让爱情永垂(🏾)不朽的防腐剂似乎就是无法兑现的可能性(♑)”。这也(🔳)是我一直以来对文学影视作品里爱情故事的矛盾心理,它让我对爱(😓)情既心生(🐔)向(🕠)往又嗤之以鼻。关于爱情,从来都搞不明白。
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