三皇子非但没有拒绝(📒),反倒颔首,“好。”
But, the story begins to decline after we get to the Emerald City. Fabulous choreography and aesthetics still, but the character motives and pacing just crash in on themselves out of nowhere. At one point we have Elphaba hurriedly turning against the world for animal rights, and at another we listen to a 5 minute song while the narrative stops. It's like watching two movies before and after boarding the emerald train, and the production is clearly more comfortable with handling interpersonal dynamic over big-world conflict. It's also possible that the Part I & II agenda messes up with the screenplay toward the end, which is pure corporate stupidity.
邵野趴在床上,脑袋埋进被子(🐲)里,听着床榻发出的轻微吱嘎声,觉得自己的身体越来越热了。
配乐很令人惊(💛)喜 慵懒随(🙇)性的feel 恰(✂)到好处地响(🚮)起 配乐在这部电影里担(🈸)当了一个重要的转场作(🏑)用 当一(♋)段小故事结束或者下一段故事开启中间都会用这种我印象里类似于西班牙风情闲适的调调
拂衣跨进院门,走到岁庭衡身边,目光扫过被他抓得起了褶皱的袖子:“殿下,你特意把这些人抓回来,是不(🔉)是为了帮我出气?”
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