中国女排vs日本女排7

　　“身体不舒服吗？”傅启忱腾出一只手掏出手机，将房间的(♒)温度调高了一些，“还是学校出什么事了？”

　　“光这么想，你就算想到明年(📸)去，也想不出来，”苏露青摘下羊肠手套，已经往外走去，“动机是什么，究竟是不是他做的，去查不就知道了。”

　　(🏢)温芙却知，他一向(🈹)厌恶她父亲利用与他是姻亲的关系，便(🗞)随便塞人，如(😕)今愿意给阿弟安排差事(🤩)，已是十分难得。

　　“没有，都是老板仁慈，肯容提拔我。”

　　乔酥酥淋(♐)着那湿漉漉的雨衣，再看‌着方卓青熟悉而又陌生的沉默背影，想说什么，但是在方金玉略显得意的表情下，还是闭上了嘴(😽)

　　秦以川三个人谁都没有说话。

So in other words, a story is a choice, a choice of a particular moment in life when "something happens within it that changes the character forever. So we tell a certain story, starting at one time and ending at another, in order to frame that moment of change". But we probably shouldn't take the word "change" to literally. In In The Cart, there hasn't been much of a change per se, but it provides profound reasons for why "this is the day on which it appeared that things might have changed forever, but then they didn’t, because they never could have, of course".

　　但如果她是为了联姻而提前回国的(⚽)话，相(🍴)信爹地不会多说什么。