秦以川:“会说人话吗?”
“乖。”兰芙摸摸他的头,“若是想(🍩)走,从明日开始(🐊),便要去上学。”
傅启忱侧身替他系上安全带(🚋),一边开(🎽)车(💒)一边问道,“我在海市那边有一套度假别墅,离海边很近,你应该会喜欢的。”
“我的。”雨水把他身上那件黑色无袖浸得更深,耸(😎)耸肩,“密码是我的生日。”
裴妃娘娘神情温柔,笑了笑:“臣妾已觉得好多了,……陛(🤲)下既来拜祭母后,臣妾怎能不来?”
武林同道迫压于朝廷(🛹)声威,无人敢(⏪)言。
直起身向旁边看去,刚才(😩)还在偷笑的人早已摆(☕)出一副(🏘)正襟危坐的模样,抬起一只手放在那小童头上,轻拍了拍,安抚着缓声道,“这里没人会(👙)害你,我们既已(❕)把你救上马(🕍)车,就不会再把你交还给方(😂)才追你的那些人,别怕。”
But, the story begins to decline after we get to the Emerald City. Fabulous choreography and aesthetics still, but the character motives and pacing just crash in on themselves out of nowhere. At one point we have Elphaba hurriedly turning against the world for animal rights, and at another we listen to a 5 minute song while the narrative stops. It's like watching two movies before and after boarding the emerald train, and the production is clearly more comfortable with handling interpersonal dynamic over big-world conflict. It's also possible that the Part I & II agenda messes up with the screenplay toward the end, which is pure corporate stupidity.
苏浔道,“什么麻烦?”
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